A Tilean Campaign

[Padrissimus]

Thanks for your good wishes, gents. I am now just waiting for the dip to dry before moving on to the next part of the process!

Meanwhile, although I know this is only supposed to be pictures from my campaign, and 8 years of previous story and battle text are already missing, I thought I would put the whole of my next battle here so the pictures make more sense!

I will start with the prequel, which is all I have written so far!

...

Hoist!

Prequel to the Assault on Ebino, IC2404

Guccio had been pondering the audacity of his recent behaviour, and whether the consequences of his boldness might prove the ruin of his career prospects in Lord Alessio Falconi’s army, or indeed any army. Faced with the prospect of attacking the strongly walled and deeply moated city of Ebino, defended by an enemy that not only never slept but who had likely forgotten what sleep was, the general had turned to him, as siege master, for advice. He had immediately offered two solutions, both of which now laced his every waking moment with fearful doubt, somehow even surpassing the fear engendered by the prospect of once again facing the undead in battle.

The moat, he had said to Lord Alessio, required bridging, therefore they should fashion carriages to carry suitably long platforms up to the moat’s edge, there to drop into place. Once made busy by the necessarily hasty construction, he had become so caught up in the practicalities of wheels and axles sufficient at least to travel one, relatively short journey, as well as how to counterweight the carriage so that the large platform hanging at the fore would not cause it to topple over, that he had pushed all other concerns from his mind.

Now, however, that the former difficulties had been overcome, howsoever ingeniously, he had to face up to the several many other considerations. Would the sheer weight of both the primary load and necessary counterweight upon such a hastily built carriage simply cause it to shake itself apart as it negotiated the rough ground it would have to pass before reaching the moat? Could any number of men successfully push the thing that far, now that large boulders had been strapped to the rear to compensate for the force of the large, leaning bridge platform hanging precariously from the front? And when the timber platform was allowed to fall, would it stay in one piece as it crashed into the ground, as well as sufficiently strong to bear the weight of the many armoured men (carrying long ladders) who would then pour over the top of it in order to reach the foot of the wall?

While these were just some of his worries concerning the bridges, all paled into insignificance when compared to his worries regarding the petard.

The scouts had reported that the city’s southern gate had a stone bridge leading to it, which obviously could not be drawn up – a rather unexpected opportunity for access given the fact that the city’s builders had gone to the trouble of digging a moat. Knowing therefore that the gate could be reached relatively easily, Guccio immediately wondered how the gate itself might be broken through. Of course, there were artillery pieces that could do the job, and master gunners to tend them, but only two, and not the half a dozen they had fielded in the Valley of Death. If one or even both should shiver as had the mortar at Pontremola, then the gate might not be beaten. Furthermore, the scouts had reported that it was made of iron-bound oak, ancient and hard, reinforced by a huge iron portcullis, which of course made sense considering the lack of a drawbridge. It was clear that the army needed another string to its bow when it came to the gate. To Guccio’s mind there was no choice - breaking gate had to be attempted, if simply as an alternative mode of access should his doubts concerning his bridges prove warranted.

Thus it was, as if he were a boulder rolling downhill, entirely unable to stop, he found himself making a second proposal to the general, immediately following his first: they would need a petard, one of substantial size and great potency, and he knew where to obtain just such a thing. The mortar that had shivered at Pontremola had not blown itself entirely apart, but rather had merely cracked, rendering itself entirely unsafe for the purpose it was made to perform. Guccio said that if it were loaded with grenade and triple the weight of powder and mounted upon a carriage, then it could be rolled right up to the gate, placed against it, and exploded. It would surely blow itself apart, considering its visibly fractured state, but in so doing most likely tear the gate to pieces, dislodge the portcullis and provide a breach through which the army could pour.

That moment, as all those gathered in the army council nodded appreciatively, including the general himself, should have been a moment of great satisfaction – if he had not immediately realised how little certainty he had that any of what he had claimed was even vaguely likely to succeed.

Thus the knot in his stomach ever since!

…

Its carriage completed - utilising the wheels of one of the army’s better baggage wagons, much to the disgust of the proud carter who had coaxed the carriage all the way from Portomaggiore - the petard was now being rolled out of the camp, just as the rest of the army was readying itself for the challenge ahead.



Guccio watched, standing beside the sergeant of the handgunners who had been volunteered as petardiers, a fellow named Vasari. Until now the sergeant had said very little, although from his gruff attitude it was clear he was not thrilled at what he and his men had been ordered to do. A bearded veteran of several wars, which included serving with Lord Alessio in the northern Old World, he was tall and every bit the image of a soldier, albeit one dressed (as so many in the Portomaggioran marching army) in Empire style clothes.

“I was told it would be a simple task,” the sergeant suddenly declared. “Yet here we see how hard it is even just to move it. Tell me, siege master, why don’t we haul it with draft animals like the bridges?”



“We could, I suppose, at least until we drew close to the walls,” said Guccio. “If we were not using nearly every horse to haul the bridges instead. Besides, your men will learn how to push it along the way.”

“Ah, the fine and noble art of pushing,” said the sergeant, rolling his eyes.

This made Guccio smile. “Aye, well, not noble, but your men must familiarise themselves with the work, all the better to move speedily and without hindrance when they draw near.”

“Yet such an enemy will not shoot at us. Not once have I seen them so much as lob a stone, never mind span and shoot a crossbow nor load and fire a piece,” said the sergeant. “We could haul it up all leisurely, take a breather now and then, have a little repast as and when we like, and still it would be delivered.”

“The enemy might not shoot, but who knows what might sally forth from the city if we approach so slowly as to allow them to get the measure of us? Who knows what magical incantations their foul masters might conjure against us? And we needs must time our arrival as best we can with the arrival of the bridges and the ladder assault on the walls, so that the enemy cannot concentrate its strength against us.”

“I doubt the bridges will be moving fast at all”

“That’s as may be,” agreed Guccio. “But if we are to coordinate the arrival perfectly, we must light the fuse as we draw near, after which your men cannot afford to slip or stall, otherwise the fuse will have to be pulled out and replaced and re-lit, allowing the enemy even more time to thwart us.”

“My men,” mused the sergeant. “You mean my men and I.”

Guccio fell silent, for what could he say? Every veteran knew the dangerous reputation of petards.

“When the arch-lector was considering attacking Ebino,” said the sergeant, “they say the maestro Angelo da Leoni built him a huge ramp, hauled by his steam engine, up which the army could stroll right up and over the walls into the city.”

Except the maestro failed, thought Guccio. “Would that we could, sergeant” was what he said. “But we have no such engine.”

The construction of a ramp for Da Leoni’s steam engine had taken so long that the vampire Duchess had sallied forth from the city and defeated the living army in the field. The maestro’s engine, stripped bare of its armaments, had sputtered forwards and ground to a halt when swarmed by ghostly monsters. The thought made Guccio’s stomach knot the more. If a genius like Da Leoni had failed, with his unique marvel of an engine, how could his own ‘grenado in a hand cart’ hope to work? Or his clackety timber bridges?



Just now four men were pushing the petard, as indeed his design intended. But when it approached the city, Sergeant Vasari’s whole company would accompany it, to guard it should that prove necessary, and more importantly to assist if it were to get stuck, or one or more of the pushers should fall from whatever harm the enemy inflicted.



“You’ve tested the fuse, I take it?” asked Sergeant Vasari.

The fuse hung from the touchhole at the rear, a particularly potent, hempen matchcord boiled in a concentrated saltpetre solution, that would spit spluttering sparks when lit, the flame burning up at a speed much faster than that of any handgunner’s ‘slowmatch’.

“That I have. I made four, all exactly the same. Two I tested and timed, the third you see there, the fourth I will have with me should we need to replace that one.”

“You will be with us?” said the sergeant, with evident surprise.

It had not occurred to Guccio that the sergeant did not know he was to stay with the petard. “I will, although I might be of little use should it come to fighting, for my skills with a blade are somewhat rusty.”

“Well, siege-master,” said the sergeant, his tone lightening. “We’ll do any fighting that’s needed, you just make sure that thing goes off when it is supposed to go off, and not a moment before.”



That’s the trick, thought Guccio. And that is what every soldier in Vasari’s company had on his mind. Now that the sergeant knew the petard’s maker was to be with them, he seemed less anxious. Knowing the man responsible for building it was to risk his own life also had to make anyone feel a bit better about the prospect of success, for why would a man make a petard with which to hoist his very own self?

Except Guccio was the maker and knew full well what a man might do when he allows ambition and pride to take the reins of his own voice. It was a good thing that the sergeant could not feel how dry Guccio’s throat was or sense the ever-present knot inside his belly.

Behind them several companies of soldiers had already mustered and begun their march. An Estalian mercenary commanded one band of handgunners …



… while a swaggering youth with an oversized panache strode with bared blade ahead of another company.



Elsewhere in this part of the camp, soldiers rushed to arm themselves and collect whatever they might need for the short march and the battle ahead. A number were drawing fortified wine from a cart, for it was the custom for every soldier to drink a deep draft before an assault, not just to calm their nerves but to embolden them. It was a practice made all the more appropriate when the enemy consisted of those who had already died!



Behind the petard trundled Guccio’s three large bridges, made slow by the huge, counterweight rocks he had ordered lashed to the platforms.



These were to be pulled by beasts to within sight of the walls, and then distributed to three of the larger regiments to be pushed the remainder of the way. To ask soldiers to push them was impractical but entirely necessary, for if the draught animals were to be alarmed by the enemy, startled in such a way as to buck or rear, then the bridges could topple before they reached the moat. 



Still, thought Guccio, I will be so busy with the petard I might not even notice such a disaster!

May blessed Myrmidia, he prayed, protect me in the battle to come. And should I die in the blast, then may the goddess take my life as a sacrificial offering in return for breaking the gate, so that my life may not be wasted and that our army, dedicated to her, may gain victory against this the foulest of foes.

[Neunfinger]

Delightful to read, thanks for posting it.

[WuZhuiQiu]

That was an enjoyable read - thanks! About the siege itself, had the undead repaired all damage from their own siege, or was there little damage to speak of?

[Padrissimus]

There was no damage at all from when the undead took the city of Ebino. The battle that took place there was all about the attempted escape of Duchess Maria. The battle report claimed she did get away, but not all was quite what it seemed, as the Viadazans were to learn at their very great cost a few months later!

The original battle report can be found at https://bigsmallworlds.com/2017/07/10/tilea-campaign-part-3/

[WuZhuiQiu]

There was no damage at all from when the undead took the city of Ebino. The battle that took place there was all about the attempted escape of Duchess Maria. The battle report claimed she did get away, but not all was quite what it seemed, as the Viadazans were to learn at their very great cost a few months later!

The original battle report can be found at https://bigsmallworlds.com/2017/07/10/tilea-campaign-part-3/

Thank you! With hindsight, the zombies might also have formed an undead pyramid or ramp against the walls!

[Padrissimus]

Working on the bat rep right now. In the meantime ... my first ever experiment with dip is done. I now have a 8th Ed WFB, points-expensive, rare unit of 10 CairnWraiths!

I like them a lot, despite being pretty different to what I have done in the last 35 years of painting. I have plans to use this same technique on a few projects, including a small (ish) regiment of Skaven next.





Thanks for your encouragement gents.

[WuZhuiQiu]

Nice work on that unit! Given their general dirtiness (unless Skaven groom?), fur, and subterranean habits, skaven should be very suitable for the dip!

[amunptah]

Great job with the wraiths, and a good decision to avoid dip on the blue and grey. I think you will really enjoy the results with the skaven.

[Padrissimus]

I did apply the dip to the grey, and it looks pleasingly dirty IRL

[swiftnick]

Good going! Those wraiths are looking good.
I use the dip on all colours although admittedly it can look a bit muddy on light colours.
What did you think of the process?
Quick enough?

[Padrissimus]

I think I will get much quicker now that I have gone through the 'What am I meant to be doing' phases!

BTW, here's the next part of the ongoing bat rep, again with the story attached.

The Assault on Ebino, Part One: Deployment

Biagino had grown more and more furious on the journey from the defeat at Pontremola to the city of Ebino. When the duchess Maria had died, his mind, twisted with all the proud hatred and dark cruelty of vampirism, had been released from his slavish, besotten enthrallment to her, so that now he was enraged almost to madness by the thought of the glamour she had cast over him. As he passed through the gates, anger had so suffused his being that he cared not a jot for the army that was pursuing him, and instead of fleeing further, as was surely the most sensible course of action considering the recent defeat and the enemy’s obvious strength, he decided he would rule her city, take all that was once hers, as partial recompense for her treatment of him.

He had been a pathetic creature in life, and even in undeath, until Maria’s demise, he had been the same. No more.

Now, however, more than two weeks later, with the enemy soon about to attack the city, and with only his paltry, remnant army to defend it, his fury had abated to be replaced with much more mixed emotions, flavoured throughout with a hearty dose of self-interest. Luckily for her, the witch who Maria had left in charge of the city had not met Biagino immediately upon his arrival, otherwise he would most assuredly have killed her on sight, out of sheer spite. When he finally met her, he had regained sufficient composure to realise he needed to hear her report concerning what forces she commanded within the city, and that he needed whatever help she could give to defend it.

The enemy had been preparing for their assault for days, fashioning up contraptions to allow them entry. He knew very well the strength of their artillery, big and small, having watched the volleys at Norochia tear his massive army to pieces, then witnessed the same yet again at Pontremola. Although the city was circumvallated with strong walls, parapeted throughout, he was unwilling to risk even a fraction of the battering they had delivered previously, not when his own forces were so meagre, and so he commanded that none of his soldiers should mount the walls, but rather slink unseen in the shadows below and await his command before marching up to reveal themselves.

So it was that the Disciplinati di Nagash, commanded by the two remaining thralls of La Fraternita di Morti Irrequieti, were now mustered in their full remaining strength in the yard below him, silently waiting for his order to climb the steps.



Upon the other side of the city gate the witch’s garrison of skeletons stood similarly …



… with a corpse cart close by to augment the magical current feeding their animation.



The witch had conjured a host of restless, accursed spirits from the most haunted corners of the city, and they too awaited command, swirling and swooshing around each other like the fronds of water plants might plait and unwind in the eddies of a stream.



The witch herself, an old crone who had mastered only the most basic rudiments of the necromantic art, yet to her credit had still managed over time to raise the force aforementioned, was hiding too. Like Biagino himself, she was tucked away in a corner of the battlements, under the shadow of a nearby tower, from where she could watch over her garrison force but also take an occasional peek at the enemy.



His chess pieces set, Biagino now waited impatiently for the enemy to make the opening move. Upon several recent occasions, one of his thralls had crept out in the darkest hours of the night to spy upon the foe and had reported the mustering of their force and their constructions. He knew they had bridges with which to cross the moat, but only a few. Surely, Biagino mused, there is sufficient strength here to prevent frightened men clambering up ladders at only a few places along the walls? But then, they also had their guns, and their magical colossus; their wizards and priests. At least their mounted men at arms, of which he had spied a good number at Pontremola, would be forced to wade through mud on foot, unable to bring their lances to bear. They would be little better than militia, if somewhat better armoured. With the walls of Ebino in his favour, he rated his chances.

The duchess, he could see now most clearly, had been a vainglorious fool when it came to war. Despite knowing her uncle (and vampiric sire) Duke Alessandro, had perished in battle at the bridge of Pontremola, she had forsaken the stone walls of the city which would hinder the foe tremendously, and had charged out to attack the enemy, entrenched at the very same place, there to die. He was glad of her folly, for her death had freed his mind. Now all he had to do was survive this assault and he would have time to enjoy his freedom, to revel in the power that could now be his.

 

…

Having glanced over the crenelations several times, Biagino saw that the enemy had indeed left all their horses behind, and that even their wooden constructions were being pushed by men not beasts. They were divided unevenly by the road to the city gate, with two of their bridges upon one side and the third on the other. Along the road itself they were pushing what at first appeared to be an ancient bombard, but which Biagino’s wickedly nimble eyes made out to be a huge petard, so heavy it had to be mounted on a carriage.



The largest enemy regiment, consisting of spearmen, obliquely flanked the petard, and if he were to guess, he would have said the enemy general intended them to storm the gate once (if) it was blown. The rest of the soldiers on that flank were heavily armoured, and in smaller companies. Biagino knew they must be the nobility, denuded of their steeds by the necessities of an assault. He could not help but smile as he imagined their steel-carapaced bodies sinking deep in the moat or plummeting from a ladder to crash hard into the rock footings. Also on that flank were two cannons, which perhaps explained why the soldiers on that side had only one bridge. They must have been expecting the artillery to breach one spot, while they then poured across the moat to access the gap thus made.



Upon the other side of the road were the Reman contingent as well as more Portomaggiorans. Biagino had seen, when his eyes were alive rather than just not dead, several of the regiments before, including the mercenary regiments of dwarves. The colossus drew his gaze first, as it would anyone’s, but there were also two bridges, a large regiment of armoured footsoldiers and three regiments of crossbowmen, one of which was pushing a bridge. And well they might, he thought, for they nothing to shoot at!



The whole army was on the move. Soon they would discover how much more difficult the fight against him would prove compared to the Duchess!

---------------------

Game Notes

This was our third play-by-email battle. We are getting quite good at it!

The Tabletop


The Living Army Deployment, with labels


The Reman Brigade

This pic was sent, along with the army list, to the living army player, Damo (aka Lord Alessio Falconi) as orientation. He did not need a pic of his own forces, as they were his own figures which I had picked up several months ago from his house for the previous play-by-email!

The Undead Forces

This pic was sent, along with the army list, to the Undead army player, Matt, who is actually the villainous Duke Guidobaldo Gondi of Pavona in our campaign, but who had bravely volunteered to command this NPC force in battle.

The City Sections


This being a siege game, it would last for 8 turns, and victory was to be decided according to the number of sections held by an unengaged, unfleeing unit by the end of turn 8.

New Rules

PETARD
Movement: With 8 men attending, with 4 of them pushing, it can march move. Once the attendants fall below 2, it cannot march. Once there are no attendants, it loses 1" movement per lost pusher. It must be pushed right up to the gate, then the fuse lit.

(The idea here is that the pushers are the muscle, while the attendants help shift it, direct it, remove obstacles, and add a bit of extra muscle in the moments such is required.)

Explosion: I reckon we should modify the shooting at the gates rules from 6th ed, p.252 -253. Auto hit the gate (for obvious reasons - it will be placed right against it). Roll artillery dice twice for misfire chance (as per the packing an extra charge rule) but the worst misfire result actually counts as a success (except the success also includes potential casualties - D [whatever number of men are present] deaths)! Damage cause = Str 10 + D6 +2. That's a +2 to the standard rules. 15+ breaks the gate, 16 + destroys it utterly (so need a 3+ roll on the D6). If it's a miss a turn type misfire, it can be relit by one of the petardiers for another try!

MOAT BRIDGES
These will start behind the 24" line deployment, with the pushing unit behind. They should therefore be dropped at the start of turn 3, and although technically the carriage has to be pulled aside, I will allow the unit behind to declare a charge over and against the walls (should be a 10" charge). A failed charge means that the rolling aside of the carriage prevented their progress! They can then attempt their charge in turn 4.

Movement: With 15 men pushing, and at least 5 attending, the bridge can march move normally. Once the attendants fall below 5, it can only march move in a straight line, if it turns it is a non-march move. Once it falls below 15 pushers, it cannot march move at all. At only 10 pushers it loses 1" movement, then 2" lost for 7, 3" lost for 4. At 3 or less, it cannot move at all.

‘Other considerations’ (as passed on to the players)  ...

In past battles, including the recent Ravola game, it occurs to me that not all non-missile defenders, were on the walls, thus minimising further the damage from the attacker's missiles. There are no missile troops in the undead army, and so they could perhaps (as Matt and I have already discussed briefly) deploy behind the walls, ready to mount the parapets as the enemy close in?

If the defenders are not on the walls (apart from tower window wizards (perhaps) then the first few turns will be about the cannons' battering and whatever magic is conjured. I can't really discuss anything else here and will shift to individual e-mail threads for that. BUT if there's an issue with any of the above, you can and should say here!

A last consideration ....
Taking a walled and moated city should be hard, although in this case the lack of defender missiles makes it easier, the fact that they are undead might make it much, much harder to take the walls! The Portomaggiorans might finally face a real challenge, after two great, if easy, victories!

This could be a great and hard fought battle, and as such a great 'finale' for Biagino (if it is his finale).

[Gibby]

Fantastic! I can't wait for the next bit. I insist you forego sleep to deliver it sooner!

I especially liked this line:

The witch had conjured a host of restless, accursed spirits from the most haunted corners of the city, and they too awaited command, swirling and swooshing around each other like the fronds of water plants might plait and unwind in the eddies of a stream.

[Padrissimus]

All I can say is that's what the figures look like. Write what you see! 

[Gibby]

The text conjured the image of their motion perfectly!

Interested to see what the colossus does against the walls!

[Elk101]

So much undead miniature coolness there!

Great write up.