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Author Topic: Inferno (Pulp Alley: China Station)  (Read 892 times)

Offline Sakuragi Miniatures

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Inferno (Pulp Alley: China Station)
« on: April 11, 2025, 06:26:35 AM »
China Station Episode Five: Inferno
Hanamura Case Files No. 8

Abura Town
Abunakajima, East China Sea
1932 (Showa 7)


“I got you!” Tsubaki shouted. She and Yuri grabbed Natsuko’s arms and yanked her forward as a flaming beam hit the ground where she had been. They had narrowly escaped a sea of flames through an alleyway as the fire consumed all behind them. Cmdr. Hara’s abductions and violence set off a spark in the city, igniting an inferno as malicious actors used the chaos as cover for evil deeds.

Tsubaki and Yuri had pulled their hoods up, as meager protection against the inferno and Natsuko held a long sleeve in front of her face.

“I don’t recognize this place,” Yuri said.

“Me neither,” Natsuko added.

The way ahead was mostly clear but columns of smoke already peppered her field of vision. Tsubaki’s eyes darted about before fixing on a landmark, the Teruya Shochu Distillery. That meant… she squinted and looked down the road until seeing what she feared.

Tsubaki’s brain put together the pieces. All routes around this area were being closed off, with only a single exit for the arsonists to escape…

“We’re in the alcohol and oil district,” Tsubaki announced. “If this area goes up, we’ll be caught in the explosion!”

A pair of furtive figures stole across the broad avenue into the narrow backstreet of wooden homes, jugs in hand with rags stuffed in the tops. If they were to escape, the girls would have to stop these arsonists!

There are five arsonists (red marker plot points) causing mayhem in Abura Town, which the girls need to stop if they are to get out alive! Every turn they start another fire (perilous area) after moving. They’re kind of jerks that way. They begin behind the Teruya Shochu Distillery, behind the potter’s shop where much kindling is present, at the Higa Gas Stand for obvious reasons, behind the Maomao Tong legitimate business office, and at the Mahoroba Yado Inn, which is not a front for illicit activity involving yujo and illegal sake brewing.

Like most of Japan, Abunakajoma has no professional firefighters and relies on volunteers. Currently they are busy containing the flames spreading toward the residential district and avoiding the city block famous for its alcohol production and gasoline stockpile, so no help will be forth coming.



ERRATA 
Abura means “oil.”

Yuri and Tsubaki are based on wartime girls and wear bokuzukin or “air raid hoods” around their shoulders, which today are called bosaizukin and still used for emergencies. Made of futon material and stuffed with futon padding, they were intended to be wet down to lessen the chance of catching fire.

Shochu distilleries have massive vats of uncut, pure alcohol. I once got a private distillery tour where the distiller cracked upon the floor (the distillery was built over its giant underground shochu vats) to ladle me a taste of the pure. It was before 8 a.m. and breakfast. It was a very nice day.

“Gas stand” is still the Japanese word for “gas station.” Don’t try to translate the words “gas” and “station” into Japanese. Just say “gas stand.” You’re welcome.

“Teruya” and “Higa” are common Okinawan family names rarely seen on the mainland.

Mahoroba means a peaceful paradise; one of Sasebo’s former geisha houses is “Café de Mahoroba” and serves splendid meals. Many pleasure district businesses changed their name to “café” when yukaku pleasure districts were outlawed during the occupation. Why did I have to learn so much about pleasure districts in the course of writing this?

Offline Sakuragi Miniatures

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Re: Inferno (Pulp Alley: China Station)
« Reply #1 on: April 11, 2025, 10:54:41 AM »
Text in bold are the names of cards drawn.


Bracing themselves for their task, Yuri grabbed a sophisticated device, a mop-like hitataki, resting against a nearby wall and went to beat out a blaze in her way.

“No, don’t-” Tsubaki called out too late. Yuri struck the fire with it and the ropy head immediately caught fire! It quickly went down the haft and burned Yuri!

“You have to wet it down first.” Tsubaki sighed.

“That was kind of a big fire for a fire beater, too.” Natsuko added thoughtfully.

Yuri grumbled and the girls dumped a bucket of water from a firefighting basin over their heads to thoroughly wet their hoods. The cool water drenching them also felt nice in the presence of so much heat.

( The scenario card “burned” says to discard a fortune card, but since I’m playing solo I instead ran it as a peril. I also added a fire on the table to do the burning!)
The girls scattered after this inauspicious start.


Tsubaki chased after the arsonist behind the inn, when suddenly a wild fire appeared before her! Thankfully, it was not super effective. Holding her breath, she charged and leapt through the Fire! Coming through safe, she gasped and continued after her prey. He shot back through to the main street where Yuri was waiting to box him in.


The fire starter whipped around and saw Tsubaki lying in wait. Deciding 90 lbs. of girl wasn’t a real deterrent he came at her, lobbing a fire bomb as he did. A small fire briefly erupted between them but Shifting Wind gave Tsubaki her first break all evening as it blew away the blaze set right in front of her.


“Gotcha!” She finessed her way into arm’s reach, knocked aside the arsonist’s satchel of fun and gave him a stunning chi-charged blow to the solar plexus. A lit bomb fell from his hand, which Tsubaki kicked clean into another already burning fire nearby.

 “Good job!” Yuri shouted over.

Tsubaki got her first good look at the villain now. He dressed in nondescript loose black clothing, but a tattoo on his forearm caught her attention and she committed its design to memory. His satchel contained more firebombs but also a few bottles of powerful, uncut shochu with rags stuffed in them.


By now used to the madness that was her life, Natsuko went after the arsonist by the legitimate business office despite her intense fear of everything exploding in her face. She braved a flaming unkempt bush then succeeded in passing her second peril, stunning the firestarter with a blow to the small of his back.


Yuri went after the arsonists that had contented themselves with setting blaze after blaze between the shochu distillery and the potter’s tinder piles. She could feel the heat channeled through the alley before she saw the source and knew it would be bad. Exiting to the courtyard, the sturdy wall of flame encompassed her field of view and climbed up the side of an earthen warehouse full of alcohol. Small against the backdrop of his creation, the arsonist continued adding fuel to the fire. She was usually cocksure but even Yuri had to admit she may not survive this night.

 “We all get cremated eventually,” she said with stoic acceptance.


Where did he go? Natsuko wondered. As if in response, the arsonist she saw duck behind the garage reappeared, was he going to light up the gas pumps?! She couldn’t outrun an exploding underground fuel tank so moved to take him out before it was too late!

She successfully (and with her unnatural luck) leapt through a blaze, its flames singing her kimono, and with a fumbling hop, trip, and fall managed to take down the next arsonist, as if part of some underhanded scheme that required finesse!


Lying atop her second victim, Natsuko struggled to get up. Doing so, she knocked a dagger from his belt and a folded piece of paper, a map with locations to attack on it! Her eyes widened at the discovery, not just of the map, but how to escape!

Her gaze set upon the arsonist, Yuri shouted, “I don’t know who you are, but I hate you more than anyone I have ever met in my entire life!”

 The fire immediately around the cackling mad bomber who bombed at midnight was beyond intense; she would have to brave this burning ring of fire to take him down. He looked at her and smiled, challenging her to get him. This was probably going to hurt. A lot.

 “And that includes people who have literally shot me!”

Her ambitions were burned by the fire before she could get to him, not to mention her good shirt!

Fire!


Some people are just jerks. His back turned to her, Yuri started to move when he casually tossed an unsettling oddity over his shoulder and it exploded in front of her! She almost ran face first into it but Tsubaki grabbed her hood and gave it a hard jerk back. She clumsily tried to regain balance with her sister’s help, though ended up having a ponytail pulled instead.

OWWWWW!!!!

Using this distraction, the arsonist ran past Yuri and into Tsubaki, who knew a thing or two about leveraging size and momentum to her advantage. Thanks to this chance encounter, she took him down with ease! Checking his arm, she found the same tattoo as the other arsonist. (Seriously, I drew the chance encounter card after the plot point ran into her!)


Surrounded! Natsuko’s luck struck again as she barely missed having her cause of death be “flaming shochu cask falling from the sky.” From this moment on, she would become a staunch teetotaler.


The final arsonist thought he’d made a clean getaway until seeing the countenance of a most cross Natsuko. Turning back, he got a lung full of his own smoke, causing him to drop a bomb and light up the ground around him. Hoisted by his own petard, or flamed by his own fires I guess, he was trapped with no way to escape as his seared lungs screamed with every ragged breath.


 “How are we going to get to him?” Tsubaki wondered.

Yuri shrugged, “Let him burn himself out.”

“That’s not funny.”

“That wasn’t a joke.”

Accepting that four out of five wasn’t bad, Natsuko lead the sisters Hanamura to Higa Gas Stand’s garage. Yuri eyed the green machine out front, but Natsuko dissuaded her.

“Don’t bother, someone already stole the distributor cap.” She said.

“Savages in this town.”

She threw open the garage door and showed them their salvation.

“This is not helpful,” Yuri said as she eyed the machine. “None of us-”

“It’s okay; I read a book on this.” Tsubaki insisted with a certain glee. 

A silver black phantom of a bike shot out the garage like a bat out of hell, Hanamura Tsubaki driving, her sister clinging far too tightly to her waist and Natsuko, head down and eyes closed, in the sidecar. Following the course on the map Natsuko found, they left the fire far behind them.

EPILOGUE

“You smell like yakiniku.” Sallah told Yuri.

The girls met up with Officer Miyagi at the police headquarters to present their evidence from the night before. Sallah was also on hand to provide insight.

“You should smell the other guy,” she joked back lightly. Natsuko, like a sane, rational person, raced to a sink before she threw up. They debriefed after a quick round of bathing and some donated fresh clothes, which incidentally looked a lot like what they already were wearing. Natsuho even loaned her twin friend a kimono.

“It seems Cmdr. Hara’s abduction of Maomao has given her enemies an opening,” Miyagi began.

“Who’s Maomao?”

“Leader of the Maomao Tong,” Miyagi explained. “She’s better known as Neko in Japanese speaking lands.”

“The one who’s not a poisoner,” Tsubaki added.

Neko, from the previous scenario, was more important than the girls had realized. Without her presence, her enemies began attacking her businesses and rackets. Soon, her side would retaliate in kind. While unintended, Hara’s actions had started an underworld civil war. 

“We’ve also gotten word that your associate Capt. Jackson used the fires as a cover to steal from the navy.”

To be continued…

Natsuko’s streak of amazing dice rolls made her the MVP of this scenario; she just kept getting good rolls even when I expected her not to make it. Poor Yuri on the other hand kept missing and getting hurt for her troubles. She got in some good quips though to balance it all out and Tsubaki helped hold everything together with her fancy book learning.

ERRATA 

Hitataki or “fire beater” looks like a mop with a ropy head; it’s wet down and used to smack out small fires. According to an air raid survivor I interviewed, they were effective at putting out individual fire bomb fires such as the spark spewing M50 or the flaming napalm bag that came out of the M69. You can read my article about her experience here: https://www.wayfarerdaves.com/the-japanese-home-front-ii-shizue-san-the-welder/

When he was a child, my grandpa had the misfortune of seeing a burning truck with the driver trapped inside. He said it’s not a smell one forgets. That’s why I had Natsuko respond so poorly to Yuri’s dark humor. 
 “Mao” is “cat” in Mandarin.



Online mikedemana

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Re: Inferno (Pulp Alley: China Station)
« Reply #2 on: April 13, 2025, 01:46:18 AM »
Very different type of game! It shows how flexible Pulp Alley is and how your imagination makes you an active participant in telling the story of your tabletop adventure!! Enjoyed this - thank you...  :-*

Mike Demana

Offline Talysman

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Re: Inferno (Pulp Alley: China Station)
« Reply #3 on: April 13, 2025, 04:36:28 AM »
Love the fire markers! I really enjoy seeing well-constructed gaming tables :)

Offline Vagabond

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Re: Inferno (Pulp Alley: China Station)
« Reply #4 on: April 14, 2025, 06:06:43 AM »
Natsuko seemed to be enjoying herself, until the final moment thst is.
A neat idea to incorporate the card names in your story line and as Mike said a different sort of game idea that the rules cope with within their existing structure.

The scenery looks good as usual but I'm curious about your choice of mat colour, is this because the area you are basing your games is sandstone or something similar or because it's what you have.
Cheers

Offline Sakuragi Miniatures

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Re: Inferno (Pulp Alley: China Station)
« Reply #5 on: April 14, 2025, 09:12:14 AM »
Natsuko seemed to be enjoying herself, until the final moment thst is.
A neat idea to incorporate the card names in your story line and as Mike said a different sort of game idea that the rules cope with within their existing structure.

The scenery looks good as usual but I'm curious about your choice of mat colour, is this because the area you are basing your games is sandstone or something similar or because it's what you have.
Cheers


Thanks for your support, you and everyone else who has taken the time to read or comment.

In general I use this dirt-color mat because most roads in Japan weren't paved, except for major cities. It was hard-packed earth otherwise. My home, Sasebo, had about a quarter-million inhabitants in 1945 and the main road through town still wasn't paved until the early 1950s.

For this story in particular, the fictional Abunakajima would be somewhere between the Ryukyu Islands (Okinawa) and the Amami Islands. Okinawa, the largest and most developed island, had no paved roads until after April 1945- when the Americans began paving roads behind them as they pushed down the island.

I know it's a bit long-winded, but I enjoy recreating the old world as much as I can, even if it's just for fiction.
« Last Edit: April 14, 2025, 09:51:24 AM by Sakuragi Miniatures »

Offline Sakuragi Miniatures

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Re: Inferno (Pulp Alley: China Station)
« Reply #6 on: April 14, 2025, 09:50:37 AM »
Here's some reference images from Sasebo concerning the streets.


Naval District Sasebo entrance on what's now Kokusai-dori (International St.).


Entrance to the yukaku (pleasure district)


The arcade looking toward Sankacho (Three Neighborhoods); the building on the left is Tamaya Department Store. Built in 1920, it boasted Kyushu island's first electric elevator to ascend it's mind-blowing four floors!


Sasebo City Hall
« Last Edit: April 14, 2025, 11:58:27 PM by Sakuragi Miniatures »

Online fred

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Re: Inferno (Pulp Alley: China Station)
« Reply #7 on: April 14, 2025, 12:42:54 PM »
Very cool - great looking table - and there were a lot of fire markers in the end!

I wasn't sure if the counters for the villains was because they were potential locations, or just due to not having the right figures for them?

Offline Sakuragi Miniatures

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Re: Inferno (Pulp Alley: China Station)
« Reply #8 on: April 14, 2025, 01:40:02 PM »
Very cool - great looking table - and there were a lot of fire markers in the end!

I wasn't sure if the counters for the villains was because they were potential locations, or just due to not having the right figures for them?

The scenario called for the villains to be treated as "minor plot points" and not "characters," so I just used the red blips this time.

Offline Vagabond

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Re: Inferno (Pulp Alley: China Station)
« Reply #9 on: April 14, 2025, 03:42:55 PM »
Those picutures are interesting, thanks. I'm assuming the second one that has the caption "Entrance to the yukaku (please district)" should read pleasure district and presumably the 2 stone pillars indicate that is the gateway to the district.

Would each town and maybe village have such a district? Lots of modelling potential and also gaming potential as well.

Offline Sakuragi Miniatures

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Re: Inferno (Pulp Alley: China Station)
« Reply #10 on: April 15, 2025, 12:40:45 AM »
Those picutures are interesting, thanks. I'm assuming the second one that has the caption "Entrance to the yukaku (please district)" should read pleasure district and presumably the 2 stone pillars indicate that is the gateway to the district.

Would each town and maybe village have such a district? Lots of modelling potential and also gaming potential as well.

Thanks for catching that error, I appreciate it. The pillars mark the entrance to the yukaku. Not every town had one, but they were common. Some, like those in Edo (Yoshiwara), Kyoto and Osaka had vibrant yukaku cultures and geisha/geiko (Kyoto geisha are called geiko) who wore extravagant dress. Others, like Sasebo, had licensed prostitutes (yujo), though I've seen references to them as "geisha" so don't know if they were actual geisha, classy and refined yujo, or a translation decision by the author.

Since the pleasure districts were controlled areas, a yujo or geisha/geiko could not leave her yukaku while employed. Whether on or off duty, she was confined to that particular neighborhood. They could be quite the gilded cage.

Yukaku existed until prostitution was abolished by the occupation forces in 1945... except it didn't stop. The yukaku changed their name to akasen or "red line districts" and officially their facilities became "cafes" and "tea houses" until prostitution was abolished for real in 1958.

Offline Vagabond

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Re: Inferno (Pulp Alley: China Station)
« Reply #11 on: April 16, 2025, 08:46:30 AM »
Thanks for the info it's much appreciated.
Cheers

Offline wolfen

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Re: Inferno (Pulp Alley: China Station)
« Reply #12 on: April 20, 2025, 06:01:01 AM »
Another great installment. Keep them coming.

 

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