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Author Topic: Alan's Darkest Africa  (Read 6946 times)

Offline Prof.Witchheimer

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Alan's Darkest Africa
« on: 16 October 2007, 07:03:12 PM »
some very nice pics from Alan Martin from Yahoo Colonial Wars. Love that Azande!










Offline Hammers

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Alan's Darkest Africa
« Reply #1 on: 16 October 2007, 07:41:43 PM »
I love the rattan shields.

Offline marianas_gamer

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Alan's Darkest Africa
« Reply #2 on: 17 October 2007, 10:36:40 AM »
Yup, the wicker/ratta shields really are great  :love:
Got to kick at the darkness till it bleeds daylight.

Offline Plynkes

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Alan's Darkest Africa
« Reply #3 on: 17 October 2007, 10:51:19 AM »
Those shields are the second reason (the first being bone idleness) that I've yet to paint my Azande.

They look darn fiddly to pull of nicely. Good job there.
With Cat-Like Tread
Upon our prey we steal...

Offline Hammers

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Alan's Darkest Africa
« Reply #4 on: 17 October 2007, 11:52:53 AM »
Yup. It is a good example why you should go easy on the highliting of black and instead use the right kind of black (in this case brown7red-black rather than blue black).

Offline Grimm

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Alan's Darkest Africa
« Reply #5 on: 17 October 2007, 07:26:52 PM »
very cool figures and fantastic terrain I love the Bamboo
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Offline Bullshott

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Alan's Darkest Africa
« Reply #6 on: 17 October 2007, 08:03:12 PM »
Here is how to make the bamboo:

http://www.warfactory.co.uk/scenery/bamboo.php
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Offline Malamute

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Alan's Darkest Africa
« Reply #7 on: 18 October 2007, 08:35:43 AM »
Very cool indeed :)
"These creatures do not die like the bee after the first sting, but go on age after age, feeding on the blood of the living"  - Abraham Van Helsing

Offline Argonor

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Alan's Darkest Africa
« Reply #8 on: 05 November 2007, 10:41:28 AM »
Quote from: "hammershield"
Yup. It is a good example why you should go easy on the highliting of black and instead use the right kind of black (in this case brown7red-black rather than blue black).


Actually, to get a non-dull natural black, blue and brown should be mixed. That's what artists do when painting on canvas (or so I was told, when I took an evening class painting course a couple of years ago)...
Ask at the LAF, and answer shall thy be given!


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Offline Gluteus Maximus

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Alan's Darkest Africa
« Reply #9 on: 06 November 2007, 10:11:24 AM »
Quote from: "Argonor"
Quote from: "hammershield"
Yup. It is a good example why you should go easy on the highliting of black and instead use the right kind of black (in this case brown7red-black rather than blue black).


Actually, to get a non-dull natural black, blue and brown should be mixed. That's what artists do when painting on canvas (or so I was told, when I took an evening class painting course a couple of years ago)...


That's very interesting! I've been using Panzer Grey as a base, with a little flesh added for highlights & a black ink wash. Not bad, but not perfect. I might try your idea.

Cheers,
Ian.

Offline Argonor

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Alan's Darkest Africa
« Reply #10 on: 07 November 2007, 07:02:43 PM »
To follow up on that:

All colours should be shaded by adding blue, and lighting/highlighting should be created by mixing in yellow.

I don't know if it makes sense to transfer those principles to painting minis, though,,,

Offline Mad Doc Morris

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Alan's Darkest Africa
« Reply #11 on: 07 November 2007, 08:57:32 PM »
No one mentioned the jacket of the guy in the last picture. That pattern is awesome! Must try it on my Renaissance lads.  :love:

 

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