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Author Topic: Atheling's Elite Tagmatic Byzantine Close Ups- Single Bases- PAGE 10- 26-04  (Read 26204 times)

Offline Atheling

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Re: Atheling's Early Byzantine Heavies Painting How To- Page 9-0-2025
« Reply #135 on: 30 April 2025, 10:41:49 AM »
For the sake of completeness here's all the single base pictures.....















































« Last Edit: 04 May 2025, 08:21:40 AM by Atheling »

Offline batu

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Love them! Do you have a tutorial showing your painting technique? I'm guessing you paint the mid-tone over the shadow and then highlight once more, layering roughly three times. Plus some blacklining, right? No washes, I assume? Really interested in your method!

Offline Atheling

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Love them! Do you have a tutorial showing your painting technique?

Thank you and yes, I do (kind of) have a (probably incomplete) but decent #set of articles on how I paint miniatures on my blog, but for the sake of convenience I'll post them again here, though you are more than welcome to pop over to my blog:
Just Add Water. miniature Painting and Wargaming Blog:
https://justaddwater-bedford.blogspot.com/


I'm guessing you paint the mid-tone over the shadow and then highlight once more, layering roughly three times. Plus some blacklining, right? No washes, I assume? Really interested in your method!

You are kind of partly but are missing two more layers and the black liber is not actually black liner (for the most part) but black left to be seen through the layers as they are applied- they are cleaned up via lining at the end of the process but this is minimal largely because it tends to look like an afterthought rather than an integral part of the process. I went to Art College so my painting is a reflection of that, though thankfully painted in acrylics and not the unforgiving oils! Please bear in in that these articles are now five years old and painting is always a developmental process.

Painting Justinian Byzantine Heavy Infantryman Step By Step Part One:
OK, onto the painting! The first twelve models of the unit. One thing I had to bare in mind was that I was painting these miniatures for the table top en masse, thus I needed to take a few shortcuts such not painting in eyes and instead leaving black areas where they eyes settle on the face, dry brushing metals instead of painting in each scale. (I once had a GW High Elf Army in which I had religiously painted in very scale on each model. The army took several years to complete!! Crazy!)

Due to certain health concerns I predicted that I was simply not going to be able to get out of the house to get to my usual usual suppliers for paint etc and it wouldn't be long before they to be temporarily closed so I managed to grab five Army Painter matt black undercoat via the net just prior to the lockdown. Happy with this I then cleaned and primed the miniatures only to discover that the after spraying carefully the surface was glossy and the primer had pooled! Not a great start! (Those Army Painter Cans are now relegated to use on terrain only). I have a couple of cans of Halfords Matt Black Enamel which was a godsend this saved me from hand priming mini's with Humbrol Matt again. It's not that I dislike using Humbrol Matt Black Enamel, it certainly has it's uses. It is bit of a faff on applying it and to be honest the company changed the formula somehow quite a few years ago and the stuff has not been as good since. It's a bit like comparing the old Testors Dullcote to the new stuff. No comparison in my humble opinion.

I did have a jar of Golden Acrylic Black Gesso, which always leaves a very flat, very matt surface on the miniature so I was able to salvage the next batch of four which was a huge relief. You might ask, why not just use the Gesso in the first place? The reason is that although Gesso gives a brilliant flat matt finish that really accentuates the details on a model,, it is quite a fragile coat and can be brushed off quite easily. Thus I prefer to prime with a spray primer before applying an undercoat, which could be Gesso or Vallejo Air Matt Black 'Primer' which is really an undercoat.... but I digress.

The mail was simply a dry brush of of Citadel Bolt Gun Metal (or equivalent) darkened with VMC Matt Black, then Citadel Bolt Gun Metal, then Citadel Iron Breaker and lastly Citadel Runefang Steel. The whole thing was then given a wash of watered down Nuln Oil. This I may have applied to thickly and next time the mix will contain a little more water. It is important to dry brush each layer with a slightly more deft touch each time only brush the lighter tones on the highest of ridges (if any) on the armour. If i remember tomorrow I'll take a few snaps of the metals and colours in order of use as a visual reference is a most often lot easier to remember.

For Iron and Steel I have stuck to using Citadel paints over the years as I have had no problems with coverage or inconsistencies in the pigment. I have used Army Painter Paints which are much smoother and have a good amount of pigment but I was going to be dry brushing so the question of a smooth finish did not enter the equation.

Citadel Paints for the Steel/Iron Armour:


The scale and lamellar armour on these heavily armed Byzantine Infantry would be made of steel or iron plates but I wanted a bit of a contrast between the the mail and the scale/lamellar so I chose to paint this particular armour as if it had been gilded. Opting for a bronze look I picked out a selection of Vallajo Game Colour metals as they are packed with pigment and as I would be dry brushing again this was crucial.

The scale and lamellar was painted with VGC Hammered Copper and when completely dry given a  slightly watered down wash of Citadel Agrax Earthshade. It was then just a case of light and lighter dry brushes of VGC Brassy Brass, VGC Bright Bronze and finally a mix of 70% VMC Bright Bronze/30% Polished Gold on the absolute high points on detail. I might end up painting a final highlight of this armour at a later stage dependent on how the colours work together on the model later on.

Vallejo Game Colour Paints for the Lamellar/Scale Armour:



The flesh was painted on in thin layers with a base coat of Army Painter Tanned Flesh followed by a watered down wash of Army Painter Flesh Wash and left to completely dry. I was not concerned about the wash bleeding into the eye sockets which I had left black as this gave them a warmer, fleshier quality. Then a layer of Army Painter Barbarian Flesh followed by a layer of Army Painter Elven Flesh on the highest points of the cheek bones, the upper lip and a highlight on the chin (which would be reflected light). Finally the lips were painted in with VMC Brown Rose and a very fine highlight of Salmon Pink.

Army Painter Paints for the Flesh:



Front and Back Views of the Miniatures:



Close ups of two of the miniatures so you can see some of the detail at scale!





Part 2 very soon
« Last Edit: 04 May 2025, 09:04:45 AM by Atheling »

Offline Roo

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Gorgeous

Offline Blackwolf

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Whoops
May the Wolf  Walk With You
http://greywolf1066.blogspot.com.au/

Painting Clubs Joined: APC,MPC, PPC,PAPC,LPC.

Offline Mikai

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Thanks for the detailed explaining of your painting process!

Offline batu

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Thanks!

Offline Atheling

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Gorgeous

Thanks for the detailed explaining of your painting process!

Thanks!

Thank you guys. Batu- this is st scratching the surface (forgive the pun) :) I'll try to post up the next stages ASAP.

Whoops

Whoops?  ??? ??? ???

Offline Blackwolf

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Yep my mistake.

Lovely work Atheling  :-*

Offline Atheling

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Yep my mistake.

Lovely work Atheling  :-*

Phew! I thought you had found a humungous painting error!  lol

Offline Atheling

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I entered the painting competition run every year at Carronade, Falkirk and entered three entries (all below) which, in the end, all ended up in the same category (a bit weird given the variation in my entries). I can only assume that given to the preponderance of Sci-fi and Fantasy miniatures in the comp (90-95% Sci-fi and Fantasy) not much thought had been given to any potential historical categories. Or perhaps there simply was no need for such categories due to the relative lack of historical entries(?). Maybe this will change by next year. I'm certainly going to have a polite chat and make a few suggestions to the organisers. BTW, I love painting miniatures, and this is a subject is I would feel just as strong about had I come last.

So, my unit of 12 Early Byzantine (Belisarius, Narses era) won first prize in the Group or Regiment category. at the time of painting I did in fact lavish some time on as, being the Boukellaroi, they were one of the centrepieces of the army. As it happens, they haven't seen the tabletop yet as the rules we play place unrealistic/ahistorical restrictions on the Early Byzantine Boukallaroi!


Offline Pattus Magnus

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Well deserved, that’s a truly beautiful army and that banner is sublime!

Offline Roo

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🔥

Offline Mikai

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Congratulations! Well deserved, as Pattus Magnus wrote before!

Offline Legiox217

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Definitely well deserved. Unreal presentation. I have a sneaking suspicious that more than one of those sci-fi / fantasy players were enthralled by this unit. I hope you can get it on the table soon to smash through some lines.

 

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