Latest KS update from Jon!
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Hello! And welcome aboard new backers! Amazing progress!
So Friday's update was a big ole tutorial, so today it's inspirational/explanational material!
After I post this I think I'll add an index if updates to the campaign page, so you can easily find each of these mini articles.
So, here's a nice set of photos, with one of my personal favourite figures, the War Wolf. I love the mix of how recognisable and understandable the form of the miniature is, while also being really weird and unsettling. It's such good stuff, and I would expect no less from Mike Franchina! The form of its head gives us some fun opportunities to get those weird teeth in sharp focus, with the rest of the creature following behind. Love it.
In these shots we see the same figure and scenery, with only the backdrop changing. It's so easy to do, because you just pull that book out of there, find a new scene and put it back in. (and you will quickly adjust to leaving plenty of room to get it out of any complex scenery set up, and if you're clever unlike me you'll learn it the easy way!)



Something i'm always at pains to make clear is that there's not really an intention that the backdrop will be in focus. Of course you can have it in focus and get really nice results. But it also works really well to let it sink into the background, and have all focus on the miniature. Backdrops just ensure you're miniature looks naturalistic and in-world.
For laughs, here's some out-takes which I enjoy, but where the backdrop is almost completely obscured, either by focal depth or smoke. I could make a reasonable-sounding argument to say the backdrop book is still doing it's job in these - there are vague shapes and a sense of depth, but they're not very good at selling the books to you!


I love that last one for the delicate colours, and I don't think it'd be easily achieved without the backdrop. But yeah, not really show-casing the book is it?

I guess something else that's good about showing these is that it demonstrates that I will often shoot a lot of shots of a given set up. With digital photography there's no cost associated with shooting lots of frames, so it's worth experimenting and taking risks. You never know what you'll discover!
Too much smoke, or the right amount? You can decide! The backdrop is still just about visible here, and I think it's an effective shot, thanks in no small part again to those glorious figure designs. We can easily see who is who in that shot. The big cross is from DiceVerse by the way. It's a handy prop!
