They look great all together!
If you're still thinking about doing more and open to having random suggestions thrown at you, I'd love to see....
- A fully armoured man-at-arms in a tabard, in a walking pose. So armoured legs with covered torso (a tabard as opposed to a coat or jacket). The two like this in the Perry plastic sets are both in stationary poses, I want one advancing!
- A pose suitable for a well-equipped archer. Some combination of brigandine, mail, or jack, with perhaps plackart or livery jacket over the top, with EITHER armoured legs or riding boots, in a suitably realistic shooting posture.
You really should check out the latest book in Tobias Capwell's series which Simon linked earlier. I've just finished reading it, and it's been really eye-opening. Made me understand different forms of European armour more than just the classic 'Milanese' and 'Gothic' styles we all know. It covers European armour in England, particularly Italianate and Western European forms (he makes the point that there is no real evidence of German styled armour in England during this period). These can be roughly categorised as:
- Italian 'heavy cavalry' armour (the familiar Milanese style optimised for mounted combat).
- Italian export armour (more 'budget' armour, roughly Italian in appearance but adapted for Western European and English tastes, so better suited for foot combat and a little bit more fluting).
- The 'Western European Fluted Style' (quite unique and ornate, could be confused with either English or German, but seems to have been more of a French or Burgundian style).
- Flemish (Italian in appearance with smooth clean surfaces, but with differences, notably one-piece breastplates).
Point is, if you take a look in that book, you'll get plenty of inspiration should you want to try out some more fully-armoured figures in the future ; )